{"id":5571,"date":"2026-04-02T02:27:42","date_gmt":"2026-04-02T06:27:42","guid":{"rendered":"https:\/\/bronxanka.com\/?p=5571"},"modified":"2026-04-02T02:33:39","modified_gmt":"2026-04-02T06:33:39","slug":"chanel-campbell-the-voice-of-the-bronx-in-modern-fashion","status":"publish","type":"post","link":"https:\/\/bronxanka.com\/en\/eternal-5571-chanel-campbell-the-voice-of-the-bronx-in-modern-fashion","title":{"rendered":"Chanel Campbell: The Voice of the Bronx in Modern Fashion"},"content":{"rendered":"\n<p>Chanel Campbell\u2019s career isn&#8217;t your typical story of a meteoric rise fueled by industry hand-outs. It is a journey where every step is intentional, and every collection serves as a mirror to her internal evolution. In this article on <a href=\"https:\/\/bronxanka.com\/en\">https:\/\/bronxanka<\/a> we dive into the origins of her brand, Bed on Water, her three core collections, and her refusal to play by the rules of an industry that often feels rigged.<\/p>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_74 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<label for=\"ez-toc-cssicon-toggle-item-6a440805adbf8\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #090909;color:#090909\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #090909;color:#090909\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a440805adbf8\"  aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/bronxanka.com\/en\/eternal-5571-chanel-campbell-the-voice-of-the-bronx-in-modern-fashion\/#Fashion_Without_Illusions\" >Fashion Without Illusions<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/bronxanka.com\/en\/eternal-5571-chanel-campbell-the-voice-of-the-bronx-in-modern-fashion\/#A_Debut_That_Doubled_as_a_Manifesto\" >A Debut That Doubled as a Manifesto<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/bronxanka.com\/en\/eternal-5571-chanel-campbell-the-voice-of-the-bronx-in-modern-fashion\/#Frozen_Images_Living_Meaning_Campbells_Second_Act\" >Frozen Images, Living Meaning: Campbell\u2019s Second Act<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/bronxanka.com\/en\/eternal-5571-chanel-campbell-the-voice-of-the-bronx-in-modern-fashion\/#The_City_as_a_Runway_The_Third_Collection\" >The City as a Runway: The Third Collection<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Fashion_Without_Illusions\"><\/span>Fashion Without Illusions<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>Chanel Campbell\u2019s story begins far from the glossy runways\u2014in the polyphonic, rhythmic pulse of the Bronx. It was there that her fashion sensibility took root, inspired by strong Black women who transformed their appearance into a high art form: from intricate hairstyles and nails to their <a href=\"https:\/\/bronxanka.com\/en\/eternal-5447-the-bronxs-national-uniform-how-streetwear-became-nycs-cultural-code\">clothing<\/a> and the very way they carried themselves.<\/p>\n\n\n\n<p>Growing up, Campbell lived in a melting pot of African American and Afro-Caribbean cultures. This fusion echoed in the music, the local slang, the daily rhythms, and the food. Eventually, this heritage &#8220;bloomed&#8221; in her designs through specific textures, details, and moods. Her father played a pivotal role as well, constantly urging her to dig deeper into her own culture. While these conversations felt heavy in her youth, they ultimately became the foundation of Chanel\u2019s creative identity.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1122\" height=\"762\" src=\"https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-27.jpeg\" alt=\"\" class=\"wp-image-5572\" srcset=\"https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-27.jpeg 1122w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-27-300x204.jpeg 300w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-27-768x522.jpeg 768w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-27-696x473.jpeg 696w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-27-1068x725.jpeg 1068w\" sizes=\"auto, (max-width: 1122px) 100vw, 1122px\" \/><\/figure>\n\n\n\n<p>After earning her BFA in Philadelphia, Campbell returned to New York\u2014the city of dreams that wasn&#8217;t exactly rushing to open its doors to &#8220;outsiders.&#8221; Lacking a degree from a prestigious fashion school meant she didn&#8217;t have an easy &#8220;in.&#8221; So, she took the long road: internships.<\/p>\n\n\n\n<p>Her first experience with a British knitwear designer was both a masterclass and a trial by fire. Long days, repetitive tasks, and nearly zero pay\u2014a familiar grind for fashion hopefuls. While she sharpened her technical skills and learned the ropes, she also saw the industry&#8217;s dark side: the burnout and the grueling pace where <a href=\"https:\/\/i-new-york.com\/en\/eternal-20895-art-fame-and-tragedy-the-life-of-jean-michel-basquiat\">creativity<\/a> often takes a backseat to production.<\/p>\n\n\n\n<p>This reality check was a turning point. Campbell realized that the fashion industry isn&#8217;t just about clothes; it\u2019s about pressure, capital, and expectations. To stay true to herself, she had to write her own playbook. She took a step back to figure out how to exist in this world not as a cog in the machine, but as a creator with a distinct voice.<\/p>\n\n\n\n<p>Out of this soul-searching came her signature aesthetic: independent, culturally rooted, and intentionally detached from the dictate of seasons.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"A_Debut_That_Doubled_as_a_Manifesto\"><\/span>A Debut That Doubled as a Manifesto<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>When Chanel Campbell first hit the New York Fashion Week runway in 2018, it was clear she wasn&#8217;t just another name on the schedule. She was a voice speaking clearly, confidently, and without compromise.<\/p>\n\n\n\n<p>She self-produced her debut show from concept to completion, and it immediately became a manifesto. The runway featured 17 models of varying skin tones who didn&#8217;t just walk\u2014they lived the clothes. They stood, sat, and met the audience\u2019s gaze with a quiet dignity. The garments\u2014featuring intricate knits, beadwork, and textured details\u2014spoke the language of craftsmanship and cultural memory.<\/p>\n\n\n\n<p>But the real magic wasn&#8217;t just in the garments. The entire team, from stylists to beauty pros, was composed almost entirely of Black professionals. This wasn&#8217;t &#8220;diversity&#8221; as a trend; it was an organic ecosystem where everyone understood and elevated the shared vision. The show became a space where Black culture didn&#8217;t have to adapt to the industry\u2014it redefined the industry on its own terms.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1107\" height=\"1155\" src=\"https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-28.jpeg\" alt=\"\" class=\"wp-image-5575\" srcset=\"https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-28.jpeg 1107w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-28-288x300.jpeg 288w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-28-768x801.jpeg 768w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-28-696x726.jpeg 696w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-28-1068x1114.jpeg 1068w\" sizes=\"auto, (max-width: 1107px) 100vw, 1107px\" \/><\/figure>\n\n\n\n<p>The feedback was instant. For Campbell, the most meaningful reaction came from the very people the collection was for. Attendees spoke of a sense of belonging\u2014a rarity in a world where &#8220;diversity&#8221; often feels performative. For the models, it was an experience where they didn&#8217;t have to explain their identity; it was already understood.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>&#8220;I want underrepresented people to feel like the fashion industry is accessible and accepting of them. If I can make them feel inspired to pursue a creative career or feel more empowered in their creative expression, I\u2019m happy,&#8221; Chanel remarked after her first major show.<\/p>\n<\/blockquote>\n\n\n\n<p>That debut was more than a launch; it was a stake in the ground. It became clear that Campbell wasn&#8217;t going to chase the &#8220;fast fashion&#8221; cycle. She consciously rejects the exhausting multi-show-a-year pace, choosing depth over volume. For her, the goal isn&#8217;t to keep up with the industry, but to shift its rhythm through ideas, images, and lived experience.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Frozen_Images_Living_Meaning_Campbells_Second_Act\"><\/span>Frozen Images, Living Meaning: Campbell\u2019s Second Act<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>The second chapter of Chanel Campbell\u2019s story was born when the world stood still. The pandemic forced the designer to abandon traditional formats, but this very constraint sparked one of the most conceptual breakthroughs of her career.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1123\" height=\"1298\" src=\"https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-29.jpeg\" alt=\"\" class=\"wp-image-5578\" srcset=\"https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-29.jpeg 1123w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-29-260x300.jpeg 260w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-29-768x888.jpeg 768w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-29-696x804.jpeg 696w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-29-1068x1234.jpeg 1068w\" sizes=\"auto, (max-width: 1123px) 100vw, 1123px\" \/><\/figure>\n\n\n\n<p>In a move away from the runway norm, she replaced models with mannequins. Motionless and understated, they displayed the garments with a cold detachment that only sharpened the collection&#8217;s impact. What initially seemed like a forced compromise transformed into a precise artistic statement. In the fashion world, the mannequin often symbolizes the &#8220;ideal body&#8221;\u2014a stark contrast to Campbell\u2019s philosophy of designing for diverse bodies and identities. This irony reflected her personal journey: a struggle with body image and a drive to redefine the boundaries of beauty.<\/p>\n\n\n\n<p>In this presentation, the Bed on Water collection felt almost spectral. Pink ruffled dresses, cut-out pieces, and heavily textured fabrics seemed to hang in space, devoid of movement yet charged with tension. Campbell\u2019s African American and Caribbean heritage bled through the prints and textures. One specific print featured a visually glitched fragment of an interview between James Baldwin and Nikki Giovanni.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>&#8220;It\u2019s a two-hour interview, but at the very end, it glitches out strangely. I took that moment, repurposed it in Photoshop, and turned it into prints,&#8221; Chanel says, explaining the technical process.<\/p>\n<\/blockquote>\n\n\n\n<p>Another influence was the industrial aesthetic of her childhood. Growing up with a father in construction meant being surrounded by job sites and raw materials. Consequently, the collection featured fabrics typically reserved for heavy-duty tools, reimagined here with an unexpected, almost sculptural femininity.<\/p>\n\n\n\n<p>The show was a resounding success, with the brand\u2019s pieces appearing in the Gucci Vault project and on high-profile artists. Yet, despite the buzz, Campbell chose a strategy of intentional invisibility. She stayed in the shadows, minimized her social media presence, and let the clothes speak for themselves. Like her mannequins, the designer removed her own face from the frame to keep the focus on the meaning.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1128\" height=\"1323\" src=\"https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-30.jpeg\" alt=\"\" class=\"wp-image-5581\" srcset=\"https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-30.jpeg 1128w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-30-256x300.jpeg 256w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-30-768x901.jpeg 768w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-30-696x816.jpeg 696w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-30-1068x1253.jpeg 1068w\" sizes=\"auto, (max-width: 1128px) 100vw, 1128px\" \/><\/figure>\n\n\n\n<p>The second show proved one vital point: Bed on Water isn\u2019t about speed or fitting into the industry mold. It\u2019s about owning your own tempo and the right to treat fashion as fine art.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_City_as_a_Runway_The_Third_Collection\"><\/span>The City as a Runway: The Third Collection<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>Campbell\u2019s third collection was born from a hiatus. In 2021, she effectively stepped away from the fashion world\u2014not due to a lack of interest, but a lack of resources. During this break, she turned to painting. The canvases she created during that period of exhaustion and frustration became the unexpected starting point for her next move, eventually evolving into the prints for her new garments.<\/p>\n\n\n\n<p>In June 2022, the Brooklyn Bridge became the stage for her return. As part of the MADE x PayPal program for emerging designers, Campbell presented 20 looks against the iconic New York skyline. The city served as the perfect backdrop for her work, which drew inspiration from the energy of her native Bronx: its grit, vivid graffiti, the metallic sheen of the subway, and the everyday pulse of the streets. The silhouettes\u2014leather jackets, bodysuits, minis, and velvet pieces\u2014balanced provocative edge with raw tenderness.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1227\" height=\"1600\" src=\"https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-31.jpeg\" alt=\"\" class=\"wp-image-5584\" srcset=\"https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-31.jpeg 1227w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-31-230x300.jpeg 230w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-31-768x1001.jpeg 768w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-31-1178x1536.jpeg 1178w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-31-696x908.jpeg 696w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-31-1068x1393.jpeg 1068w\" sizes=\"auto, (max-width: 1227px) 100vw, 1227px\" \/><\/figure>\n\n\n\n<p>This collection articulated her stance on the industry more clearly than ever. Campbell is vocal about the financial, racial, and gender inequalities that dictate the pace and opportunities for young designers. But instead of meeting the system with anger, she meets it with clarity and composure. Her answer to the status quo isn&#8217;t a protest in the traditional sense; it\u2019s the creation of an alternative\u2014a space where fashion exists without the weight of outside expectations.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1152\" height=\"782\" src=\"https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-32.jpeg\" alt=\"\" class=\"wp-image-5587\" srcset=\"https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-32.jpeg 1152w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-32-300x204.jpeg 300w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-32-768x521.jpeg 768w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-32-696x472.jpeg 696w, https:\/\/cdn.bronxanka.com\/wp-content\/uploads\/sites\/62\/2026\/04\/image-32-1068x725.jpeg 1068w\" sizes=\"auto, (max-width: 1152px) 100vw, 1152px\" \/><\/figure>\n\n\n\n<p>The third collection feels like a turning point. She isn&#8217;t trying to please everyone or seeking universal validation. Instead, she is capturing the moment she finally found herself\u2014in her own voice, at her own speed, and with her own vision. Perhaps for the first time, she feels no need to prove anything to anyone.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chanel Campbell\u2019s career isn&#8217;t your typical story of a meteoric rise fueled by industry hand-outs. It is a journey where every step is intentional, and every collection serves as a mirror to her internal evolution. In this article on https:\/\/bronxanka we dive into the origins of her brand, Bed on Water, her three core collections, [&hellip;]<\/p>\n","protected":false},"author":352,"featured_media":5534,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1036],"tags":[2647,3048,3064,3050,2515,3076,3067,2450,2670,2677,3075,3074,3063,2669,1095],"moimportance":[34,33],"motype":[1045],"moformat":[127],"class_list":{"0":"post-5571","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-style-and-beauty","8":"tag-art-2","9":"tag-brand","10":"tag-catwalk","11":"tag-clothing","12":"tag-collection","13":"tag-concept","14":"tag-creativity","15":"tag-culture","16":"tag-designer","17":"tag-fashion","18":"tag-mannequin","19":"tag-model-2","20":"tag-show","21":"tag-style","22":"tag-model","23":"moimportance-golovna-novina","24":"moimportance-retranslyacziya-v-agregatori","25":"motype-eternal","26":"moformat-longrid-korotka"},"_links":{"self":[{"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/posts\/5571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/users\/352"}],"replies":[{"embeddable":true,"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/comments?post=5571"}],"version-history":[{"count":2,"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/posts\/5571\/revisions"}],"predecessor-version":[{"id":5591,"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/posts\/5571\/revisions\/5591"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/media\/5534"}],"wp:attachment":[{"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/media?parent=5571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/categories?post=5571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/tags?post=5571"},{"taxonomy":"moimportance","embeddable":true,"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/moimportance?post=5571"},{"taxonomy":"motype","embeddable":true,"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/motype?post=5571"},{"taxonomy":"moformat","embeddable":true,"href":"https:\/\/bronxanka.com\/en\/wp-json\/wp\/v2\/moformat?post=5571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}